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<td width="58%" height="90" valign="middle"><h1><br>
La condición humana <font size="-2" class="menuLeft"></font></h1>
<h4>René Magritte <font size="-2" class="menuLeft"></font><BR>
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<p class="Estilo3">En su clase del 19 de diciembre de 1962 del Seminario “La Angustia”, y luego de afirmar que "hay una estructura de la angustia", Lacan agrega que “...lo primero que ha de enunciarse acerca de la estructura de la angustia es algo su primera clase de este seminario, en el mismo lugar que el que siempre olvidan en las observaciones donde ella se revela ... : que la angustia está enmarcada" y como dijo en su primera clase de éste seminario, en el mismo lugar que el fantasma.</p>
<p class="Estilo3"><br>
A continuación, dice haberse servido en otro contexto, "como metáfora, de un cuadro que viene a ubicarse en el marco de una ventana; técnica absurda, sin duda, si se pretende ver mejor lo que hay en el cuadro pero... no se trata de esto precisamente sino... de no ver lo que se ve por la ventana." <br>
Si bien Lacan en estos párrafos no menciona el nombre del artista, parece evidente que elude a René Magritte, quien utilizó esta oportunidad.</p>
<p class="Estilo3"><br>
Se reproduce:</p>
<p class="Estilo3"> 1) "La condición humana", de 1933, puesto que creemos, es la pintura que mejor corresponde a la descripción de Lacan, y en la que se hace más vívida la función de ocultamiento de un vacío por detrás.</p>
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<p align="center" class="logcCh"><br>
Rene Margritte (Lessines, Bélgica 1898-Bruselas, 1968) La condición humana, 1933. Oleo sobre tela 100 por 81 cm. Colección particular, París</p>
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<td height="24" colspan="3" align="left" valign="middle"><div align="center"><FONT style="FONT-SIZE: 8pt" size=1>PSIKEBA Revista de Psicoanálisis y Estudios Culturales © 2006 - Directora: Lic. Rosa Aksenchuk - Editor Asociado: Adolfo Vásquez Rocca</FONT></div></td>
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